Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Monday, July 06, 2020

That's EASY... It's basically his Specialty

A friend asked for a list of the "delightfully trashy" movies of Nick Cage...

...Oh that's easy... He pretty much specialized in it...
  1. The Rock
  2. Gone in 60 Seconds
  3. Face Off
  4. Con Air
  5. National Treasure 1 and 2
  6. Lord of War
  7. Kick Ass
  8. Raising Arizona
  9. Wild At Heart
  10. Bringing Out the Dead
  11. Matchstick Men
  12. Ghost Rider
  13. Valley Girl
  14. Fast Time at Ridgemont High
  15. Red Rock West
  16. Bad Lieutenant Port of Call New Orleans
  17. Snake Eyes
  18. Drive Angry
  19. Vampires Kiss
  20. Peggy Sue Got Married
  21. Fire Birds
  22. Honeymoon in Vegas
  23. Guarding Tess
  24. Bangkok Dangerous
  25. The Sorcerers Apprentice
  26. Mandy
  27. Running with the Devil
That's just off the top of my head. I haven't seen the last two but have been told they're great delightfully trashy movies.

Now, my friend specifically asked for delightfully trashy... that's the delightfully trashy part of his filmography... This includes both good and bad movies... Roughly the first 15 are actually GOOD movies, and the last 12 or so are not actually good, but they're all at least fun, or interesting, or entertaining, or amazing to watch because of the Cageness.

There's also just BAD trashy like the wicker man remake, which some consider so bad its good... I am not one of those people.

And there's the good, but depressing part of his filmography like "Leaving Las Vegas", or trashy but very much NOT delightful like "8mm"... Both categories of which I left off... And of course there's the great but not trashy bits of his filmography I also left off.

There's a surprising number of oscar winners involved in the movies in that list.

Honestly... Nobody has ever done "Delightfully Trashy" as well as Nic Cage... as an actor.
I just wish he had done something great with John Waters, who is the ultimate "Delightfully Trashy" director.

Wednesday, October 29, 2014

Marvels and Panthers

Alright my geek brothers and sisters... now that marvel has announced their movies, who should play T'Challa (Black Panther) and Carol Danvers (Captain Marvel/Ms. Marvel/Warbird/Binary)?

Supposedly, a relative unknown, Chadwick Boseman, has already been cast as T'Challa (who will be introduced in the third Captain America movie, due out in 2016 I believe). Frankly I've seen the guys work and I'm not impressed thus far.

Marvel has been known to recast... I can see them doing so here, so the game is open on both characters.

First, Black Panther.

If he wasn't already Heimdall, I'd have said Idris Elba was the perfect T'Challa. Similarly, Don Cheadle and Djimon Hounsou are already in the Marvel cinematic universe, or I'd say either of them would be decent possibilities.

You've got to have someone who is physically impressive (not necessarily big, though most artists have drawn him that way; but definitely fit and with great physical presence) yes... but more importantly, you've got to have someone who can project the same air of genius that Benedict Cumberbatch (Dr. Strange), Mark Ruffalo (Bruce Banner), and Robert Downey Jr. (Tony Stark) have. T'Challa is supposed to be the intellectual AND emotional AND spiritual superior to almost all in the marvel universe. He's specifically noted as the "eighth smartest man in the world", and is wiser, and more spiritually connected than any of those who are his equal in intelligence.

There aren't a lot of actors who can pull that off... and as I said, most of them are already playing characters in the MCU.

Maybe Chiwetel Ejiofor? He can do it physically, and emotionally, and intellectually. Hell, he's even an ethnic Igbo (his parents were Nigerian, though he was born and raised in England).

How about Captain Marvel?

Carol Danvers is actually much tougher.

First thing is, you can play around with looks a bit... but you can't completely change her entire physical presence, it's actually very important to the character.

Carol is a VERY BUSTY LADY... Even by comic book standards.

Not only that, but she's not some willowy little thing. She's tall (in universe she's 5'11"), and she's muscular, and she's STURDY.

She's bigger, taller, stronger, and tougher, than almost all of the male heroes, even without her powers (with her full powers, she is by canon, the most physically powerful Marvel hero. Only Hulk is more physically strong and damage resistant, and he doesn't have the energy powers that she has). Think of a near 6 foot tall womens fitness competitor... not a tiny little gymnast or hollywood actress type. That's really very important to who she is.

Basically, she is the second biggest (and second bustiest), of the main human (or human-ish anyway... it gets complicated...) female heroes in the Marvel universe (both behind Jennifer Walters, AKA She-Hulk... and actually in "human" form, Walters is shorter than Danvers by 1"... Though if you want to count Psylocke as a main hero, she's pretty much exactly the same size as Danvers, and some artists draw her just about as busty... The asgardian women are taller, but they're aliens... and Valkyries... so... you know...)

Note: If you think Marvel are ridiculous about their female heroes breasts, DC are FAR FAR worse... Four words: Power Girl Boob Window.

Yes, really, it may seem shallow and sexist, but honestly her physique really is an important part of her character, as is her sexuality. In particular, the fact that she was a tall and good looking but not either ridiculously muscular nor super busty woman before she was transformed and received her powers; and that her transformation made her into this "turned up to 11" body, as well as changing her personality (and these changes took her years to integrate and resolve, and accomodate)... it's really important to her character, her personality, her emotions, her psyche etc... and they are very relevant to the stuff that happened to her over the course of her career as a hero.

Importantly, she's incredibly competent, capable, and well trained; a veteran of the Air Force, NASA and SHIELD (sort of... it gets weird...), even before she received her superpowers.

Emotionally and personality wise, she's tough, she's hard in many ways, brittle in some, and insecure in many ways. She can be quite cruel and heartless, but she can also be overly emotional and irrationally sentimental... and VERY funny, sometimes in a cynical, sarcastic, and biting way, sometimes in a goofy way.

Most importantly by far though, is that she is VERY VERY BADLY DAMAGED.

Carol Danvers is one of the most screwed over women in the history of comics... and that's REALLY saying something. I won't go into it here because... really I couldn't... it takes too long to explain and is way too screwed up... but trust me (look up her full back story and the various controversies therein if you want to know).

This a woman with PROFOUND PTSD... for VERY GOOD REASON

Oh and she's a (just barely) recovering alcoholic on a scale so epic that TONY FRIKKEN STARK thought she was hitting the bottle a little too hard.

So... who the hell can play that?

Honestly... I'm not sure who I'd pick... I suppose the most important variable is what age they decide to make her at introduction.

If they go for a younger Carol, either an origin story, or relatively recently  come into her powers... Canonically, that would make her 31 years old or thereabouts.

Maybe Yvonne Strahovski?

She's still too small (only 5'9-1/2" and very fit, but not very muscular, and she's quite slim), and she has the "look" except being a bit too small breasted (not an insurmountable problem in hollywood). but I think she's got the chops for it.

If they went a little older, Julie Benz would be nearly perfect if she wasn't so small. She's only 5'4" though she's actually quite fit and muscular (and rather busty for her size).

Both play tough and competent very well, and both play badly damaged very well.

Charlize Theron might be good. Maybe Anna Torv.

Jeri Ryan, Peta Wilson, Tricia Helfer, Lucy Lawless, Dianne Kruger, Kristianna Loken, Abbie Cornish, Ali Larter... all physically right, but not right as actresses.

Lots of folks like the idea of Katee Sackhoff, who I love... but she just doesn't feel right for Carol Danvers to me. Also a lot of folks are speculating about Emily Blunt, who I also love... but again, she doesn't feel right to me.

Really, without knowing how old they want to go, it's impossible to figure out the right casting choice.

So... drop dead choices?

I'm gonna go with Yvonne Strahovski, and Chiwetel Ejiofor... but I'm really iffy on both. I'm willing to be convinced otherwise.





Saturday, July 26, 2014

Luc, Lucy, and the Meaning of Life.

Just watched Scarlet Johansson in Luc Bessons "Lucy".

Yeah...

Lots of fan service certainly.

VERY VERY VERY DUMB...

Also, in many ways it goes far beyond "homage" and into "total blowjob" territory for Yuen Woo-Ping, John Woo, and Park Chan-Wook... and to Hong Kong and Korean (and of course being a Luc Besson film, french and italian) cinema in general... To the point of some shot for shot "homages", and very explicit callbacks and stunt casting.

Frankly, that was part of the fan service.

I didn't like ScarJo's performance choices and/or Bessons choices in directing her performance... but that was a matter of personal preference and taste. I don't think it was actually a bad performance, I think she was executing what she and Besson wanted... I just didn't care for those choices.

It was REALLY short. It also made very extensive use of stock footage; to the point that I think without it, the whole film minus credits (it's listed as 90 minutes with credits. We timed the actual film content as 83 minutes from opening shot to closing shot) would have been under 60 minutes.

Fun. Not good. Not so horrible as to wrap around and be great.

If you're a film geek... particularly if you love hong kong and korean action movies it's a good "bad movie night" movie

Tuesday, November 26, 2013

Oh and in case anyone missed it...

It just so happens, that today has been Mels birthday... but I have deliberately avoiding saying happy birthday or the like, until SHE has her head "ready" and into a fit state...


.... but that's what thick damn glove are for.

Monday, June 03, 2013

6 word movie reviews

Django Unchained: Not bad... Way too damn long1

Jack Reacher: Good action... Cruise is too short2

Footnotes:

1Django Unchained is 2 hours 45 minutes long. If you do a google search of "Django Unchanged" and "too damn long", you get over 100,000 results.

2Jack Reacher the character, is supposed to be a very big man, at 6'5 and 250lbs (and actually as described, would be closer to 285-300lbs).  Tom Cruise is 5'7 (and visibly wearing 4" lifts in the film. His co-star is 5'9" and wears uncharacteristic for hollywood low heels), and about 170lbs. He's buff, but he isn't in any way big.

Tuesday, January 08, 2013

Bullet to the Head

...soooo want to see this:


Also... DAMN Stallone looks good for a 67 year old.

Friday, August 06, 2010

Forgive me for saying so....

...but Kickass, really did Kick Major ASS.

I mean, how often do you get to see a cute little girl make dick jokes and kill a bunch of guys (like 20 or so).

Plus, she picks up guns off the bad guys when she kills them, and she never leaves a live one on the ground behind her. That's two of my major action movie pet peeves subverted (in one scene even).

If on the other hand you are offended by the thought of a 10 year old girl swearing like a sailor and blowing peoples heads off...

...Seriously? Why are you reading my web site? Cuz that shit is funny as fuck.

Get it on BluRay... the fountains of blood from the exploding heads really pop.

Thursday, June 03, 2010

Apparently Mighty Thor is Mighty Gay....

No... not gay... Just a cross between a Twilight character, a pro wrestler, and a professional brooding consultant....

Of course, 70's cartoon Thor looked pretty much like a gay muscleboy... so maybe this is an upgrade. 

At least Mjolnir looks pretty cool... Plus, totally rockin boots and cape.

I'm still somewhat reserved about the notion of Kenneth Brannagh directing a comic book movie... I mean I love Brannaghs work in general, but I can't quite see Thor staring out at the audience and saying "There's a double meaning in that..."...

...Though... thinking about it... Damn, Thor really does look a lot like an idealized muscly version of a young Brannagh here... He's Benedick THE MIGHTY!!!!

Friday, March 12, 2010

One of the most basic questions of Science Fiction Geekdom

Star Wars, or Star Trek...

I can't believe I've never blogged this one. It's one of the biggest geek jihads there is.

Well... it really depends on what you consider canon. How much of the "universe" of each you allow into your evaluation.

If we go just on the movies and TV shows, Star Trek by a country mile... even with the soft and squishy pseudosocialism crap.

The writing, the acting, the cinematography, and the direction of Star Trek are in general far superior to Star Wars; as is the general body of work (one great, one good, two bad, one mediocre and two AWFUL movies, and one good and one bad TV show on the Star Wars side. Three great, three good, three bad and two AWFUL movies, and three good, one mediocre, and two bad TV shows for Star Trek).

As SciFi as a whole... that's more difficult. Star Trek is really post golden age science fiction, whereas Star Wars is classic golden age Space Opera. They're really different genres, and are difficult to compare directly.

If we include the full universe of each, including the novels and in canon video games... It's a wash. Two entirely different philosophies, two entirely different universes, two entirely different sets of writing styles etc... and lots of great writers/authors for both (witness Mike Stackpole, and Vonda McIntyre).

My general personal preference is for Star Trek; because I like the characters and character oriented writing, more than the archetypal mythological arc oriented writing of the Star Wars franchise.

Tuesday, October 13, 2009

En Vin Verite

If you have any interest at all in wine, you should really read some of the several excellent books and articles, or the also excellent documentary, about the 1976 Judgement of Paris.

If you have no interest in wine, you probably have no idea of the significance of that even; but perhaps you'll enjoy a story about the French being hoist on their own petard of arrogance and snobbery.

The judgment of Paris, in this case (it also refers to an earlier event in fine art), refers to a blind tasting of French and California wines, conducted in France in 1976.

It was expected by everyone, especially the organizer of the event; that the French would win handily. Even the U.S. vintners were sure the French would win; if only due to chauvinism and cheating (it was fully expected by the California vintners that the "blind test" would not be).

Instead, a California chardonnay ( Chateau Montelena) was the unanimous top choice of whites by all the judges, and a California Cabernet (Stags Leap) the top choice of reds (though only just edging out the next two French wines).

Prior to this result (and the famous George Tabor Time Magazine article documenting it, and linked up above), very few in the wine world took California wines... or for that matter, any wines not from France... seriously.

After?

Well, in every significant blind tasting since, American wines (mostly California, but some from Washington or Oregon) have beaten French wines.

Every time.

Not only that, but worldwide, California wines outsell French wines by as much as 8 to 1 in some years (French wine, because of the climate, tends to be strongly vintage dependent. Better California wines tend to be much more consistent), and have in general outsold French wines every year since 1982.

Funny thing though: I think the best of Oregon and Washington, and even the best of Chile and Australia; are now better than the best of the same varietals, out of either France OR California.

At any rate, I just watched a dramatization of the events surrounding the Judgement, called "Bottle Shock", and starring... everyone really (seriously, almost every role is a name, or a familiar face).

I know that the movie wasn't very true to the real events, but I enjoyed it very much. I especially enjoyed the performances of Bill Pullman and Alan Rickman (honestly, it's rare I don't like Rickman)... and I didn't absolutely hate Chris "Captain Kirk Jr." Pine.

I won't call it a great movie, but it was fun; and if you like wine, worth watching.

Monday, May 18, 2009

I KNEW IT!

Adam Baldwin (not a "Baldwin Brother"; the Adam Baldwin of "Firefly", "Serenity", "Angel", "Chuck", "My Bodyguard", and "Full Metal Jacket") has outed himself as a conservative.

I KNEW IT!

There was just no way that Animal Mother, Jane Cobb, and John Casey could have been played that well by a liberal.

It never ceases to amaze me how Joss Whedon keeps writing these spectacular conservative and libertarian characters, and employs conservative and libertarian actors (like Baldwin, Sarah Michelle Gellar -both conservatives-, Eliza Dushku - a left libertarian by her description, David Boreanaz, and Amy Acker - both libertarians); and yet is himself a hardcore lefty liberal. Hell, he even jokes about it constantly, and it's been the subject of "serious literary analysis".

Tuesday, March 31, 2009

A simple review of a simple move - Monsters Vs. Aliens

Cute, sweet, fun, funny, kid safe, inoffensive, simple, and a little shallow.

Lots of pop culture references, and references to classic b movies trops. Straightforward plot. Very little in the way of story depth or character development.

Enjoy it for what it is, don't expect anything more, and you'll love it. Don't try and make it into Wall-E or "The Incredibles".

Saturday, March 07, 2009

Quis custodiet ipso custodes

Nos vigilo custodes.

Indeed we do.

I’ve been struggling with how to review this movie since I walked out of the theater last night.

A few weeks ago someone asked me to explain “Watchmen” to them, and my response was “there is no way I can possibly give you an adequate explanation without telling you the entire story”; and that’s the problem I face here.

This could easily either be a 20 page mass of spoilers, shoutouts, pleasures and gripes, with some substance to it; or it can be a single paragraph or two, with some meaningless superlatives and diminutives.

I’m going to try and split the difference, and explain what I think is good and not so good about the movie; while keeping it relatively simple, and relatively spoiler free.

First things first, “Watchmen” is the best adaptation of a comic book into a film ever released.

This does not mean it is the “best comic book movie ever”; because I think that “Dark Knight”, “Iron Man”, and possibly “Spiderman 2″ were better as straight films. Watchmen is a better adaptation, and there is a big difference there.

Is it a good movie? Oh very much yes. However, it is a confusing, thickly layered, EXTREMELY violent, and disturbing film; with so much detail you need to see it multiple times to get it all.

On one level, it works as a straightforward action film. The fights and other action sequences are great; and the pacing and plotting work to keep everything moving and flowing.

Just as a “comic book film” it also works. The cinematography, production design, and costuming are amazing. For those of that persuasion, Malin Ackerman is unbelievably hot. For the other side, Billy Crudup is very, very naked for the entire film (and surprisingly good, in a VERY difficult roles). Jacky Earle Haley, Jeffrey Dean Morgan, and Patrick Wilson all gave spectacular performances as Rorschach, the Comedian, and Night owl respectively.

As a morality play and social satire it works as well. Importantly, it is not just a nearly 3 hour gigantic anti-American anti-conservative rant, as some web sites are claiming (the GN was somewhat more so, but not so much as most people seem to think. As I said above, it is essentially libertarian in nature).

It is an indictment of many things in modern western culture without a doubt (though more subtle in this than the graphic novel), but I don’t think you could call it anti-American.

It is however, very much, anti-superhero… or more specifically anti-superman (in the neitzcheian ubermensch sense) in particular. Who watches the watchmen indeed.

Watchmen is very much a libertarian movie.

At a high level, it is a denunciation of popular fascism and oligarchy. At a deeper level, one of the central dilemmas of the movie is the conflict between objectivism, absolutism, pragmatism, and utilitarianism.

The whole story and concept behind Watchmen is a very strong indictment of the “perfect man” concept in political and social philosophy (which isn’t what it sounds like. If you aren’t familiar, there’s a lot of research you need to do to bring yourself up to speed).

At core, the political and philosophical underpinning of Watchmen, is an exhortation to individual integrity, morality, and sovereignty.

Which of course is why so many people don’t understand it; because for many, the entire notions of true individualism and liberty are alien.

So what didn’t work?

Nixon… in fact all of the politicians, captains of industry etc… portrayed in the film were nothing more than thinly drawn caricatures, used almost for comic relief. They should have had a creepy menace to them, but the makeup and performance choices Snyder made reduces them to parody.

I thought Matthew Goode was horrible as Adrian Veidt/Ozymandias. His characterization was ridiculous, and wooden at the same time.

Malin Ackerman, though amazingly beautiful with great screen presence, has the emotive range of a turnip. I’ve noted this in her other roles, so you can’t blame the writing.

Also, given that same writing, Jacky Earle Haley, Billy Crudup, Jeffrey Dean Morgan, and Patrick Wilson gave great performances; so again, you can’t blame the writing.

Other than that, my criticisms are structural.

The fact is, there is only so much material you can pack into a movie. Even at a 2:45 runtime (yes, it really is that long. No, you don’t notice) this movie is busting at the seams, and still has to cut about 1/3 of the content of the graphic novel (1/2 if you count the “black freighter” material, which was made available as web videos, and will be released on DVD in two weeks).

I think they made the best choices possible given the constraints they were under. They chose to focus primarily on the main storyline, with reasonably well done fill-ins and exposition of the back story.

The thing that makes this just a good movie and not a great movie (and what in fact might have positioned it as an oscar contender, and I mean that quite seriously) is the missing or abbreviated backstory.

Without it, the characters of Sally and Laurie Juspeczyk/Jupiter i.e. the Silk Specter I and II; and that of Hollis Mason and Dan Dreiberg i.e. Nightowl I and II; are all somewhat thinly drawn.

Some things in the film appear to have very little or very thin motivation behind them. This is especially true of the actions of Ozymandias.

Silouhette, and the other watchmen, are essentially left out entirely; barely mentioned in passing. They were still minor characters in the GN, or more specifically subsidiary characters only slightly linked to the main plotline; but there was much more to them than in the film, and I think the film suffers a bit for it.

Also, the motivations of Dr. Manhattan, and the impact of the personal choices he makes are somewhat muddied or lost without that fuller backstory (and especially without a more fully fleshed Silk Specter).

I have to balance that criticism against the sheer effort of trying to fit it all in. To fully flesh out that background would take at least 5 hours.

As I understand it, the script as shot came in at over three and a half hours, and even with what they left in the script, they had to cut 45 minutes to make time (and to be sure of an R and not an NC-17). I do hope that with the Blu-Ray release, we get a full unrated extended cut.

Some fans of the GN are disappointed that the movie isn’t even darker, more violent, and more disturbing etc… Personally, I think they did an excellent job of capturing the atmosphere (excepting the characterization of Nixon… they missed the boat completely there); and they pulled no punches on the violence or sex.

Yes, there was even more violence, and more sex (and more sexual violence for that matter) in the GN; but it wasn’t necessary for that to be in the movie. Believe me, we got the point.

There is one VERY different twist to things from the GN that has hardcore purists pissed off; but in the end makes much more sense from a story, and dramatic perspective.

Overall, I’m going to give Watchmen a very strong recommendation. I think they made the most faithful possible adaptation of one of the greatest graphical novels of all time; and the result was a very good movie. My only reservation is that it could have been a great movie, but it would have required another hour of screen time.

Monday, February 23, 2009

So how'd I do on the Oscars predictions?

Let's see how I did with my Oscar predictions; having only seen about six of the nominated films.

First, an explanation of the format from my original prediction post the day the noms were announced:
I'm going to intersperse my commentary, and my predictions will be in bold. If I bold two, it's because I can't really decide which one. If I italicize it, it's because I think that entry SHOULD win, instead of the one I think WILL win.
So, simple format; and I'll intersperse my comments:
Best Motion Picture Of The Year:

Frost/Nixon
Milk
The Reader
Slumdog Millionaire
The Curious Case of Benjamin Button
Not exactly a surprise here. Slumdog took every oscar it was nominated for except sound editing (which went, unsurprisingly, to Dark Knight).
Achievement In Directing:

The Curious Case of Benjamin Button David Fincher
Frost/Nixon Ron Howard
Milk Gus Van Sant
The Reader Stephen Daldry
Slumdog Millionaire Danny Boyle
As I said when they announced the nominsations "No question here, Danny Boyle is getting his Oscar. There isn't even an outside shot for anyone else". And there wasn't.
Performance By An Actor In A Leading Role:

Brad Pitt in The Curious Case of Benjamin Button
Richard Jenkins in The Visitor
Frank Langella in Frost/Nixon
Sean Penn in Milk
Mickey Rourke in The Wrestler
So this one reversed on me; but I always suspected it might. When the nominations were announced, there was a strong backlash against Sean Penn, and a groundswell for Mickey Rourke. Since then, Penn has been pulling a hardcore lefty suckup (no pun intended); and Rourke has been refusing to play the game, making a ridiculously profane (though hilarious and fun) and clearly intoxicated (well... maybe not. Maybe thats just him after 30 years of destroying his brain) acceptance speech at the Independent Spirit awards, and going so far as to say he didn't hate Bush. That pretty well decided it.

I will say, I did appreciate that Penn gave a shoutout to Rourke at the end though. It seemed that Penn was genuinely surprised that the statue didn't go to Rourke.
Performance By An Actor In A Supporting Role:

Heath Ledger in The Dark Knight
Josh Brolin in Milk
Robert Downey Jr. in “Tropic Thunder”
Philip Seymour Hoffman in Doubt
Michael Shannon in Revolutionary Road
Again, no discussion necessary; this one was Ledgers before the movie ever opened Loved the tribute by his family.
Performance By An Actress In A Leading Role:

Anne Hathaway in Rachel Getting Married
Angelina Jolie in Changeling
Melissa Leo in Frozen River
Meryl Streep in Doubt
Kate Winslet in The Reader
There was a severe ani-Winslet backlash after she cleaned up (and showed an astonishing lack of good grace) at the Golden Globes; so for a while it looked like someone else had a shot, but then her Campaign kicked into high gear, and all was forgiven.

Oh and Winslet proved again that she should never go off script, telling Meryl Streep she'd just have to suck it up losing this one. I'm sure it just came out wrong and wasn't intended to sound crass, but it did.
Performance By An Actress n A Supporting Role:

Taraji P. Henson in The Curious Case of Benjamin Button
Amy Adams in Doubt
Penélope Cruz in Vicky Cristina Barcelona
Viola Davis in Doubt
Marisa Tomei in The Wrestler
No surprise there. Good looking girl that everyone likes, with a reputation for doing arty indie work with good directors, her second nomination, nominated in a supporting role in a Woody Allen film. She was always a lock.
Best Animated Feature Film Of The Year:

Bolt
Kung Fu Panda
WALL-E
It's not like the other nominees even needed to be considered.
Original Screenplay:

WALL-E
Frozen River
Happy-Go-Lucky
In Bruges
Milk
When the nominations were announced I said I thought Milk would likely get it "since the writer himself is both a well known gay activist, filmmaker and writer; and an ex mormon who is very publicly critical of the church"; though "Happy go Lucky" had an outside shot at a consolation prize. Turns out I was right.

Oh and other stars who have a "cause" should really take a lesson from Dustin Lance Black (the winner here). He gave one of the best acceptance speeches of the night, and he did it with strength, pride, and class; and without trying to preach.

Sadly, Sean Penn didn't get that lesson (as if anyone would expect him to).
Adapted Screenplay:
The Curious Case of Benjamin Button
Doubt
Frost/Nixon
The Reader
Slumdog Millionaire
Again, I'm guessing Slumdog continued its sweep; giving "Full Monty" writer Simon Beaufoy his first statue (he was nominated for Monty though).

Although I didn't predict it in my post, I expected that best foreign language film would go to "Waltz with Bashir"... and judging from reactions today, so did everyone else. It appears that though anti-israeli, it wasn't anti-israeli enough for hollywoods taste (it certainly was not for the Lebanese or Arabs). Of course the film was barely considered for any Oscar, after they deliberately changed the rules to disqualify it from the animated and documentary categories.

So of the main predictions I made, how'd I do? 8 for 9 in the majors, and the ninth was always a split.

I also predicted in comments that Button would win for best makeup, best visual effects, best art direction, best cinematography, and best editing. I went 3 for 5 there; with Slumdog surprising me to take editing and cinematography (again, it took every oscar it was nominated for except best sound editing).

Not bad for someone who didn't see any of the best picture, best actor, best actress, or best supporting actress nominees eh? In fact of the winners, I only saw Wall-E and Dark Knight.

As to the show as a whole, what did I think?

Well first of all, the GAYEST Oscars ever; and it was very much deliberate. Personally, I enjoyed the musical numbers, and the overall design and feel of the thing.

I very much enjoyed the treatment of the four acting categories; choosing previous winners in the category to deliver the nomination, rather than the film clip that has been typical of the past few years. It added a personal element that I thought was touching (except in the case of Sophia Loren, who unfortunately still barely speaks any english; so at least it's understandable).

Bill Maher... well, honestly, what did you expect? It's Bill Maher.

I appreciated that it was a relatively short telecast, and well paced; but they still got in the major features, like the songs. No interpretive dance this time thank god, but the "The Muscial is Back" number in the middle was great fun. Was it too much? Yes. That was the point.

But what can I say, I've always loved musicals.