Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Friday, January 30, 2015

Why not use a TV as a monitor?

So, large screen LED backlit LCD televisions are amazing. They look great, and they've become quite affordable over the past few years.

Large computer monitors on the other hand, are still really expensive... Though the definition of "large" has changed over the past ten years from 17" to 19" to 21" to 24", to 27", and for the last couple years has topped out in the range of 30"-32". That's about the most people can comfortably fit on their desktop, and still be able to see the screen edge to edge without turning their heads.

Most people who want more screen area, just get two 24" monitors, because they don't need to look at a single big high resolution thing very much. Those who do, buy the 27" to 32" monitors bite the bullet, and pay the extra money.

So, since 32" tv's are so cheap, and so great, why not just buy one of those, or even a 37" or 40" etc... for a big monitor?

Yeah... why not use a flat screen TV as a monitor?

At first glance, it makes sense, and for some people in some applications, it absolutely does. But, there are a number of factors you need to take into account.

First, the sharpness, contrast ratio, luminance, and response time,  are generally considerably better on decent computer monitors than on most televisions.

Those qualities are expensive, and get more so as screen size goes up. They're expensive on TV's as well, but to show a good HDTV image, you don't need as good a screen (technically a display panel).

Also, the image processing, color gamut, panel design and the like, are generally different between monitors and televisions.

Computer monitors are designed to display text and graphics very precisely but not necessarily naturally. PC monitors panels and image processing are designed to make text look very clear, readable, and high contrast, without being oversharp, especially black text on white backgrounds. Monitors (at least higher quality ones) are also generally designed to display a much broader range of colors, more accurately (meaning with less bias or distortion, at consistent brightness and contrast, across the whole panel. Better quality monitors can also be color, contrast, and brightness corrected and calibrated, and can adjust the display in ways to correct common computer display issues. Of course, how well they actually manage to do those is another question).

Televisions generally have panels and image processing designed to make live video and film images, especially fast moving images, more natural looking. They are also designed to make bright objects against a dark background look better, without popping or ghosting, and with a "natural" appearing color, softness, and motion blur. They also have different screen adjustments to address issues typical to HD video signals rather than computer display signals (overscan, position correction, aspect ratio etc...).

This by the way is one reason why professional video production monitors are much more expensive than normal televisions. They are designed with all of the capabilities of the best quality PC monitors, AND the best televisions, plus additional inputs, image controls, and correction and calibration capabilities (as well as some other things like refresh and color/refresh/channel sync lock).

Isn't 1080p good enough?

The issue isn't resolution... 1080p is good enough... at the right screen size and viewing distance.

The issue is our vision, contrast, pixel size, and viewing distance.

PC monitors are designed be looked at closely, from close distances. TV's are designed to be watched from farther away, looking at the whole screen at once.

A 1920x1080 screen at 50" vs a 1920x1080 screen at 24" have VASTLY different PPI (pixel per inch). The big screen will be 44ppi and the smaller screen will be 92ppi.

My phone has a 5.1" 1920x1080 screen at  432ppi.

That's a .6mm, a .28mm and a 0.06mm pixel size respectively.

Whether a particular pixel count is acceptable or not, depends on how far away your eyes are from the screen.

The average human can see an individual .6mm pixel in a contrasting field (one white pixel on black) from appx 78", a .28mm pixel from 37" and a 0.06mm pixel from about 8".
You can get these numbers for yourself for any screen size here: https://www.sven.de/dpi/  and here: http://isthisretina.com/

So what's the difference and what's the damage?


In the real world, you don't need super high quality, ultra contrast, ultra high pixel densityetc... for general computing. A 24" 1080p screen looks just fine for most things, including video, most gaming, and small text.

Cheaper 1080p screens in the the 32" size range are now available for $250 or so. They look fine for displaying HDTV. Unfortunately look like crap when used as computer monitors from typical chair to screen distances. The text can be difficult to read, window edges look weird, games look weird, colors don't look right, black and white look like grey and brighter grey (usually with some blue, green, or yellow mixed in).

That said, they're not entirely unusable, and for video, large text, status displays etc... they're fine for that. They're also fine at 6 feet away. A slightly more expensive TV in the same size range may also have more controls and options so you can calibrate and compensate and make it look better.

30" to 32" computer monitors start at twice that (for 1080p screens), and go up into the $5,000 range (for 4k 4096x2160). They also look great at typical chair to screen distances for anything but small text (at 1080p).

For small text, even 27" is iffy at 1080p. For a 27-32" you really want something like 2048x1152, 2048x1536 or 2560x1440, or go to a QHD/4k.

Professional video production monitors in the 30-32" range on the other hand START at around $5,000 for 1080p, and go into the $30,000 range for 4k. They look amazing at any distance (once you get used to a professional video screen, other screen look like crap in comparison).

If there weren't good reason for it, no-one would spend that extra money.

Tuesday, April 29, 2014

End of Spring/ Beginning of Summer bingewatch/new show update

Ok... spring/summer bingewatch/new show update.

This year, out of the necessity of circumstance, we have become cord cutters. As such we consume all of our television programming off the internet, either streaming (netflix, hulu, amazon prime), or downloaded.

Mostly, we batched up episodes and bingewatched them a few hours at a time, which is how I now GREATLY prefer to watch TV shows.

This isn't everything we watched, just the stuff I had something to say about that popped into my head.

First, the new full season shows that just wrapped for the season (or will shortly), in no particular order:

  1. The Black List: James Spader getting to be 100% James Spader... The 80's movie creepy sociopathic badguy that we all love, 30 years later, and a spy... It's a damn good show, frankly better than I thought the major networks could do these days.
  2. Trophy wife: We liked it, it's cute and sweet, and it's got good performances from a cast we really like. The writing is spotty though. Worth watching.
  3. The Millers: Everybody loves Raymond with the "nasty" dial turned WAY up (and that's not a bad thing); except Raymond is Devon Banks, and Marie is Mags Bennet. That's not a bad thing either. Again interesting performances from an interesting cast... but the writing can at times be crude and clunky. Worth watching.
  4. The Crazy Ones: We LOVE this show. I'm generally not a sitcom lover, but this show is really great... At least when it lets Robin Williams go for a bit... but not TOO far (as he is wont to do). A lot of the show is improvised on the set, and it shows, usually in a good way, sometimes in a great way, occasionally not so good. He is well balanced by the supporting cast, including Sarah Michelle Gellar... Pretty much playing herself... which is a good thing (Williams is also pretty much playing himself).
  5. Mom: Another new show we love. The cast is incredible (Allison Janney, Anna Farris, Kevin Pollack, Nate Corddry, French Stewart), the performances are great, and the writing is great (it can be somewhat overly goofy at times, but it balances out). Were it not for "The Crazy Ones" this would be our favorite new comedy.
  6. Agents of S.H.I.E.L.D: I made this one last in the section because it's going to take more than a couple lines for this one...

    So... I want to love it... at times it's great, at times it's not good at all... Overall I think it's worth watching, and I like it.

    HOWEVER...

    You have to understand what it is and especially what it is NOT.

    It is NOT a superhero show. If you go in expecting a superhero show, you will be disappointed and unhappy.

    It IS a mission impossible/spooks/covert affairs/alias/dollhouse procedural espionage and adventure show set in a universe with superheros.

    Personally, I think that's kind of an awesome premise, and there are times it really lives up to that premise. There are unfortunately times where it very much does not. It's worth watching, but I really wish they'd improve the consistency of the writing. 

The new spring/summer/mid/end-season replacement shows:

  1. True Detective: Oh my god... one of the best things I've ever watched. McConaughey is, unrecognizable, and amazing. The writing is spectacular. It's as good in it's genre as Breaking Bad, The Wire, The Sopranos, or The Shield.
  2. House of Cards seasons 1 and 2: I'm including both here, since they were both single day releases, and you should watch them back to back if you can. I watched the first season in 13 continuous hours that's how good it was. This season I broke it up in two blocks of 6 and 7 hours. It's that good... and again, as good in it's genre as those I mentioned above. This is probably Kevin Spaceys best work ever, and it's certainly Robin Wright's.
  3. Silicon Valley: Holy christ this is funny. Of course I'm a bit biased because... well... If I were a much bigger asshole, I would be one of these characters; I have lived, worked with, and been friends with ALL of these characters, for much of my working life. And man... Finally someone is tapping the rich comedy vein that is the particular breed of bullshit unique to the alternate universe that is silicon valley. Four shows in, they've already got a two season commitment (the sad part being though, one of the actors playing one of the more interesting and important characters died a few weeks ago), so we are really looking forward to seeing more of this.
  4. Surviving Jack: Someone combined "Clueless" and "my so called life", but from the dad and sons point of view...

    The dad (Christopher Meloni) here being a competent, decent, conservative but strict high achiever (and that's a very good thing), and the son is the awkward and neurotic one (as opposed to the daughter being the awkward neurotic POV character, and the dad being a bumbling but good hearted asshole etc... etc...).

    And when I say combined those two other works, I do so advisedly, because the show is set in 1991, and definitely embraces the early 90s aesthetic and culture (though picking through the best parts of the music of the previous decade... a very good choice).

    The obvious comparison would be to "that 70s show", and there are superficial similarities (high school, awkward son, strict and sarcastic dad, retro setting 20 years later etc...), but that's all they are is superficial. Otherwise, the shows are nothing alike.

    Christopher Meloni is PERFECT here, playing a retired marine, now a doctor; with his wife going back to law school now that the kids are in high school. It's from the creator of "shit my dad says" so dad is... Well, let's just say he is familiar to me.

    So far, the series only has an 8 show order, and it's in a death slot, with no promotion around it... I really hope it finds an audience because it's great. 


In the queue:


  1. Penny Dreadful (summer show, first episode online now, looks REALLY interesting)
  2. Blackbox (summer show, just started)
  3. Friends with Better Lives (summer show, we've got 4 episodes queued up)
  4. Orphan Black season 1 and 2 (2 just started)
  5. Orange is the New Black Season 1 and 2 (I watched the first few episodes myself, then stopped so I could start over with Mel, because it's really very good and I think she'll like it. Season 2 starts in a couple months). 




Sunday, April 07, 2013

Holy crap... a place I've been to is on Bar Rescue right now

Kid Chileens Badass BBQ Steakhouse, in Black Canyon City AZ.

Been there a few times... and saw it go WAY downhill over the years... This ought to be interesting.

Thursday, September 27, 2012

Idiot Box

Ok, so it's big premier week on television, and I happen to be sick this week, thus I have nothing better to do...

What the hell, let's review the new shows Mel and I have seen so far this season.

First off, the new shows that have actually premiered so far and that we've seen


Monday:

Revolution
The Mob Doctor

Tuesday:

Go On
The New Normal
Vegas


Wednesday:

Guys with Kids


Thursday:

Last Resort
Elementary

None of the new shows for Friday, Saturday, or Sunday have premiered yet.

666 Park Avenue premieres this coming Sunday, and looks possibly interesting, but the early reviews are pretty bad. The cast and writers are good, so it may improve over the pilot (also I've been in the building it's based in... and it's quite creepy, and has an interesting history).

So, the ones we actually HAVE seen...

Sitcoms:

Go On:

Funny, so far well written (four episodes in), very good performances in a strong overall cast. Particularly good performance on the part of Matthew Perry but he's playing the same basic Sorkinesque character he's BEEN playing over and over again since his guest shots on "The West Wing" (including in "Studio 60" and "Mr. Sunshine"). That character has been entirely unsuccessful in getting over with audiences. The showrunner of the show was a senior writer on Friends, so perhaps he'll have more success

The New Normal:

So far adorable, screwed up, quirky, funny, cute... It's got a very gay sensibility, which since it's created and written by gay men, about two gay men and the straight women in their lives... So far we like it, but I doubt it's going to work overall. Ellen Barkin is... Memorable... It's actually very sweet, and has a lot of heart, but it may just be too contrived.

Guys With Kids:

I wanted to like it... I love the cast, and the writers SHOULD be good... But it just isn't. The concept should work, but the writing is so cliched, so tropish, so plastic and obvious... It's just bad.


Drama:


Last Resort:

I'm going to do a full review on this one tomorrow. It's... interesting...


The Mob Doctor:

So bad I think it's already been unofficially canceled. Watched five minutes of it and deleted it. Some of the worst TV I've seen in years. I can tell you what the pitch was "It's Greys Anatomy meets The Sopranos, but sexier, and funnier".... It isn't. Any of that. At all.


Vegas:

I am cautiously optimistic. The performances were very good, the cast is beyond excellent, the writing so far is good; but the pilot wasn't quite there yet.

For one thing, it's supposedly set in Vegas in 1960, but the cars and motorcycles used in production vary all the way up into the 80s (several of the Harleys were 80s or 90s models. I clearly saw a '67 gto, most of the vehicles were '62 through '65 models), some of the fashions were mid 60s etc...

The fact is, "Mad Men" has set a new and very high standard for period accuracy, and every period show is going to be judged against that.

That said, Dennis Quaid is great, Michael Chiklis (the few minutes he had in the pilot) was very good, and the supporting cast is excellent. The potential for these characters is huge.

I'm hoping that the full series pickup will do better on production design, and the writing will relax a bit into the characters and plot lines. The potential is definitely there.


Elementary:

GREAT performance by Johnny Lee Miller, Lucy Liu hasn't had a chance to show much here yet but there's potential there. In general, great cast, sharp writing so far, but kinda hollow... I'm hoping that's just the nature of the pilot beast, having to jump in and sell the program on that first few minutes. It's definitely a "watch it for now, see how it works".

Definitely NOT as good as BBCs "Sherlock", but it's an entirely different format, concept etc... So it's not really fair to make the comparison. Also, "Sherlock" is some of the best TV ever made, and probably the best interpretation of Holmes on any screen large or small (even better than the 80s Jeremy Brett incarnation, and that's really saying something); certainly the best modernization of Holmes ever. It's available on Netflix now, and you should watch it if you haven't yet.



Revolution:

I saved this one for last for a reason...

Wow... I didn't realize they let stuff this bad on network TV anymore.

Seriously, they actually PAID someone to write this?

S.M. Stirling already wrote this... and he wrote it a HELL of a lot better than this piece of crap.

I mean... Someone with SOME knowledge of basic physics had to have read this script at some point and said something to someone about how bad it was....

Three ways to deal with this sort of thing in fiction:

  1. Handwave it away as "no-one know why the big thing happened. Some people say it was aliens, some say it was the hand of god, some say the hubris of man... I don't know, I just know we're here". From there, either never speak of it again, or make finding out a core part of the story (which inevitably leads to 2 or 3)
  2. Handwave it away as implied (subtly or otherwise) fantastic causes. Aliens, magic, etc... Thus opening yourself to a universe that follows different rules than the ones we currently understand. Then, as with 1, never speak of it again, or make it a core part of the story.
  3. Come up with a realistic, plausible, and physically possible but extremely unlikely explanation. Has to ACTUALLY be theoretically possible, and plausible enough that it might, even one in a billion, happen. 

They choose to not do any of these things, but try to blend them all... only... not really... Basically there's no internal consistency, no plausibility, and yet no idea that its "just magic" or "just aliens" etc... Thus there is NO immersion or suspension of disbelief.

Take "Lost", "Terra Nova" and "Jericho", mash them together, and make them make even LESS sense with LESS consistency, and there you go.

 A very important note: No matter what you choose to do in your fictional universe, it must be INTERNALLY consistent. Your universe has rules, even if they are not the rules we understand, and it has to follow them. If for some reason it appears not to, then you have to have a plausible explanation why; even if that explanation is "the aliens were pretending it was the other way, but that didn't work so they stopped pretending and now it works this way"; so long as it's internally consistent, you don't break immersion. When you break the universe, in an internally inconsistent way, you instantly break all immersion and relation that your audience has to that universe; particularly if you do it because you wrote yourself into a corner, or because it's plot convenient. Witness "lost".

This particular comic says much of what I would otherwise be ranting:








Sunday, September 16, 2012

Fallout Boy - Day 4

Yay, no more medium hammers.

Small ones... but not medium ones.

Honestly, I'm feeling a heck of a lot better today. Still pretty weak and achy, particularly in the joints; but a lot better than yesterday. Also, the nausea is gone. 

Part of that may be I was finally able to get a little sleep. A whole uninterrupted six hours last night, which is more than I've been getting for the past few months. 

I'm still a little fuzzy and off mentally, and I still zoned out a few times today; but I was much more awake and alert than I have been. I've had a reasonable attention span as well. 

The downside, I actually kinda passed out for a nap in the middle of the day; and my temperature regulation is awful. My fingers and toes feel like they're freezing off, and I'm wrapped up in a blanket at 70 degrees.

Now, the numbers for the day:

Date         Time HR D Dose 
9/16/2012 10:00 68 0 620
9/16/2012 10:00 68 2 40  
9/16/2012 10:00 68 3 8    
9/16/2012 10:00 68 6 2.8 
9/16/2012 10:00 68 12 1.3   
9/16/2012 14:00 72 0 580
9/16/2012 14:00 72 2 38  
9/16/2012 14:00 72 3 7    
9/16/2012 14:00 72 6 2.5 
9/16/2012 14:00 72 12 1.1 
9/16/2012 18:00 76 0 540
9/16/2012 18:00 76 2 26  
9/16/2012 18:00 76 3 8    
9/16/2012 18:00 76 6 2    
9/16/2012 18:00 76 12 1.2 
9/16/2012 22:00 80 0 515
9/16/2012 22:00 80 2 21  
9/16/2012 22:00 80 3 7    
9/16/2012 22:00 80 6 2    
9/16/2012 22:00 80 12 1.1 

You'll note, the slope of change has shallowed dramatically; both hourly, and the 24hr day over day:

Distance -- 9/13 ------ 9/14 ----- 9/15 ----- 9/16
0                 >1000    >1000     790       580 

2                 >1000    240           70       38  
3                 800        40            15       7    
6                 600        22           5.3       2.5 
12               480        9             2.4       1.1 


My wife still can't sit with me, but there's no problem being in the same room with me or sitting NEAR me, all day long. We let the doggies in for a few minutes... Kinda hard to keep them from licking me.

I'm getting VERY tired of sitting/laying on a couch, watching reruns... but hey, it's better than... you know... dying and stuff.

Irrelevant Geeky Sidebar:

Actually, the wife and I have been using this whole thing, from pre-surgery 'til today; as an opportunity to watch the entire new run of Doctor Who (from the 9th Doctor on).

We had seen the 9th doctor (the first new series), but never picked up the 10th, because it was being played inconsistently in the U.S. As of today, we're up to the middle of series 3.

I still prefer Christopher Ecclestone. I know that's an unpopular choice, but I like his performance and his personality better than David Tennant (who I still thing is GREAT. Funny, charming, ALIVE as hell). Though surprisingly, they both beat my previous favorite, Tom Baker (my first Doctor, from PBS showings in the early 80s); which I thought was impossible.

After we finish Dr. Who, we're going to do Torchwood; which, again, we haven't watched at all. Maybe Warehouse 13 as well.

When she's not watching with me, I'm using the time to read/re-read some long series I haven't read in a while, to catch up on long podcasts, and to watch "24" from the beginning. I was living in Ireland when the show premiered, and I hate coming into a show in the middle of its run, so I never watched it.

I think I'll watch "lost" after I finish up "24"; and pick up season 3 and later of "Eureka".

Thank god for netflix.

Tuesday, February 07, 2012

Lilyhammer is a must watch



If you are a netflix subscriber, you need to watch Lilyhammer, right now.

For those who haven't seen anything about this yet, Lilyhammer is the first independently produced show specifically for Netflix (in cooperation with Norwegian television), and I have to tell you guys, it's great.

How great?

Well, I watched all 8 episodes of it in the last 12 hours.

I won't spoil anything here, I'll just say it's the best comedy drama I've seen in a long time.

Every once in a while, being an insomniac has a fringe benefit.

Monday, June 13, 2011

The problem with watching a TV series based off of a book series...

is that occasionally not reading the books bites you in the ass.


GAME OF THRONES SPOILER ALERT FOR THOSE WHO DID NOT WATCH YESTERDAY
























For all of those people pissed off because Ned is beheaded.

I see you didn't read the books. You think that is bad?

 BWAHAHAHAHAHAHAHAHAHAHA.

For one thing, yes, it was SEAN BEAN. Sean Bean is amazing. But remember what happened last time Sean Bean played a complicated hero?

You forgot, didn't you?

I'll admit, when I first read Game of Thrones I spent quite a bit of time swearing at George R.R. Martin. Really, killing the main character in what feels like the first half hour? That was cruel dude. Really, really cruel.

But I got sucked in. I read all 4 books in 2 weeks.

The reality is, Ned isn't the main character. Ned is important, but only because he's the father of some of the main characters.

Note I said "some".

There is no one main character of the series.

The Song of Fire and Ice isn't about Ned, or Robert. The Song of Fire and Ice is about Jon Snow, and Arya, and Bran, and Sansa, and Theon, and all of the true innocent victims of the Game of Thrones. The series is more specifically about the children of the main combatants of the war with Mad King Aerys.

The story isn't about Ned Stark, or Robert Baratheon, or Tywin Lannister, or Aerys. It's about their kids, including MY favorite two characters:

Tyrion, one of the REAL heroes of the books (just get used to it) played by the amazing and underrated Peter Dinklage:
And of course, Daenerys:


For all of you pissed off about Ned's death, wait 2-3 (maybe 4) episodes, or you'll miss something really, really awesome and worthy of HBO's ridiculously high production values.

Wednesday, May 11, 2011

A "the voice" spoiler for tonight...

So surprising...

...the gay hipster didn't have the huevos for an Elvis song about lust and passion.

Tuesday, March 01, 2011

It's a SheenSpiracy

So, Charlie Sheen is frikken nuts... has been for years, everybody who pays attention to hollywood has known it since the mid 90s at the latest; and his latest behavior simply proves it out more.

He's also very smart (wrong about almost everything, but smart), very sneaky, very paranoid (and a conspiracy theorist... see the "wrong about almost everything" bit), and very rich (about 30 million a year... minus whatever the mountain of coke, 747 load of whores, and payments to various ex-wives, girlfriends, and sexual partners costs him each year).

There are times when he seems absolutely unhinged; especially in the last year or so... extra especially in the last month or so... but somehow he always comes out about where he wants to be.

So, as of a couple weeks back, he's in a public shouting match with his the network, studio, production company, and producer of his cash cow... I mean sitcom... Two and a Half Men. They've shut down production on the show, it may be cancelled, and Sheen may be fired.

There's a lot of speculation as to why...

Why is he throwing away millions of dollars? Why is he so self destructive etc... etc...

There's a lof of speculation that Sheen is not only an addict (which he clearly is, and has been for decades. He's been admitted coke abuser since coke was still cool in the mid 80s), but that he is probably bi-polar.

Maybe...

Probably...

But...

Uhh... this may sound crazy... but... just a thought...

I think he's doing this deliberately.

Sheen wants to be fired.

He doesn't want to be in 2-1/2 men anymore (frankly, other than for the money, no-one would), and this is actually the smartest way for him to get out of it.

Because he can.

Sheen is one of the few performers out there who doesn't have a morals and behavior clause in his contracts (which is why he has to self insure, and why he can't do studio features anymore. No-one will write a completion bond on him. He hasn't played lead in a major studio feature since 2001 ).

Sheen could just quit, but if he does, his contract doesn't get paid off and he forfeits million in future earnings, plus owing the studio and production company, whatever his contract penalty for quitting is (probably half what he would have made per episode, for however many episodes he no-shows for).

If they fire him, while he is still willing to, and capable of performing; then they have to pay off the penalty clause of his contract (which is probably half what he would have made per episode, maybe even all. Big stars often get 100% pay guarantees, but Sheen is so unstable only an idiot would have agreed to that provision).

Most actors have morals and behavior clauses in their contracts, so they can't get away with that sort of thing; but Sheen can.

And there's really no downside... If they fire him, great they have to pay him and he doesn't have to do the show anymore. IF they DON"T fire him, this becomes the biggest publicity stunt ever, the shows ratings get even higher, and he makes even MORE money (reportedly he wants about double what he's getting now).

I'm not saying that's the reason for all of his behavior; I think the suggestion of bi-polar disorder is probably correct (his father and brother have both suffered from clinical depression). I just think it's a pretty solid explanation of Sheens public behavior towards the studio, network, production company, and producer.

Paying a penalty to the people you hate just so you can quit vs. getting a payment for them getting rid of you; or, worst case, keep doing the job but making even MORE money... I know which way I'd go on that one.

Tuesday, February 22, 2011

I don't know about anyone else, but Ke$ha actually makes me WANT to binge drink...

If only in the hope that I can pass out to end the pain...

Tonights "Glee!" was the "anti" drinking episode; wherein no-one could think of a good anti-drinking song, so instead they "sang" Ke$has "Tick Tock"

They actually handled the anti-drinking part pretty well, with vomit and drunk dialing... all definite incentives against drinking.

...but as far as it goes, I'm pretty sure there's only one song that could ever make teens drink less:

Tuesday, February 08, 2011

Top Shot Reloaded

Ok, for those of you not regular readers coming here off a google search etc... full disclosure; I know (at least electronically) a couple of the people who were on the first season of Top Shot.

Also, although I liked the show in general, there were some things I really didn't much care for in how they handled the whole season.

I didn't like the editing style, or the manufactured drama, especially the way the eliminations were conducted.

...but...

If it weren't for manufacturing that drama, they would have had less than half the audience they had. Very few non-shooters would have watched, and even among shooters, without the drama the only ones who would have watched it would be the total gun wonks like me.

So, I get it. I still don't care for it... or reality TV in general (except Food Network stuff, which I generally enjoy) but I get that it has to be that way to build and maintain an audience.

So, onto today...

The wife and I both watched the first episode of the new season tonight, and in general, we liked it.

The challenges were interesting, and I dug the fact that they threw a curveball from jump. Again though, I didn't like the editing. It was too choppy, too forced feeling.

I was happy to see a few Air Force vets there this time around (I'm sure my friends in combat control are happy this evening, having an active, and decorated, CCT in the mix); and it seems that the level of competitors is mostly good.

Though... a Golf Instructor?

A well trained golf instructor yes... but...

Sometimes the reality producers are a little too obvious in setting up a bad guy...

So, did y'all watch? Will you watch in the future? What did you think of it?

Thursday, January 06, 2011

Perhaps even better than Denny Crane...

"I'm going to tell you the same thing I told the blind masseuse: Believe me, you'll know when I'm finished" -- William Shatner as "Ed Goodson"

One of the MANY MANY fun things the Ed Goodson character says in the show.

Wednesday, December 08, 2010

The problem with being an engineer, and watching mythbusters...

Is that you end up watching the show and yelling at the screen "It's a VECTOR CALCULATION NOT A STATIC FORCE CALCULATION!!!!!"

Thursday, September 23, 2010

The new shows of 2010: Hellcats, Terriers, Hawaii 5-0, Detroit 187

Short version, a pair of solid triples, a soft double, and a foul tip.

Hellcats: Yes, a cheerleading show staring teen soap opera actors can actually be good. Ashley Tisdale and Ally Michalka are actually decent actresses, given the right material (they aren't exactly Oscar caliber here, but they're playing college cheerleaders). The supporting cast is great. Gail O'Grady is always impressive. The writing is actually pretty solid, the directing and cinematography are very good. It seems to actually be worth watching. Amazingly, it's in the DVR... yes, seriously.

Terriers: Great cast, great writing, great performances. Donal Logue is perfect here.The writing is sharp, funny, but not over the top. Some questionable choices on editing and cinematography. I predict it will be the next "critically acclaimed FX hit", and will end up being "Cables best new show" etc... etc... It's in the DVR.

Hawaii Five-O: Great cast. At some point Alex O'Laughlin has to have a show that works, because he's great (I thought Moonlight was a really decent effort, but the numbers didnt come). Grace Park is always excellent (and my god, she's 36 but she looks 18), and Scott Caan has something of his dad in him... Unfortunately he's also got something irritating about him, but his character works. The writing is mediocre so far, but I see a lot of potential. The action, and cinematography were good, though I wonder why they chose to mute the lighting and color pallette. This is Hawaii after all. The editing was a bit irritating. Too much quick cut. Overall though, I'm willing to bet it hits. It's in the DVR.

Detroit 187: The elements are all there for a good show, but it's not quite right. They've got story, they've got a couple of solid veteran actors in Michael Imperioli and James McDaniel (both of whom have played cops and crooks too many times), and some new faces who seem alright. The writing is OK... a little lazy cop show cliche there, but some good stuff too. The music is GREAT. The problem is the visual style of the show. It's choppy, it's irritating, it prevents you from getting involved in the story. It might be worth giving a few weeks to, to see if it develops; but right now, it's not getting a slot in the DVR.

More to come as we catch up with the new show premiers.

So, when did the producers of Glee fire all their writers...

And hire crack addled monkeys?

Seriously, what was that crap?

The whole point of Glee, the whole thing that makes it worth watching, is the character and soul and sweetness of it.

The characters are screwed up, but NOT caricatures. The stories are simple, not simplistic.

If the writing continues like this, Glee is dead and done.

Sunday, September 12, 2010

Just to prove how anal I am...

... and how much of a music geek and pop culture and trivia fanatic...

In tonights episode of Mad Men, the original master recording of "Satisfaction" plays, as Don walks out to the street, staring around at the world in a skewed way; clearly intended to represent the alienation and changes going on around Don (who is a "standards" man, not a rock and roll man).

That bugged me and I couldn't quite place why. I knew Satisfaction was released in '65, but I just had the vague feeling that the song hadn't been released at the time of the episode.

Yeah, I know. I already admitted to be anal pop culture and trivia nut.

Anyway, I looked it up, and I was wrong to be bugged by it.

As it turns out, "Satisfaction" was released as a single on June either June 6th, or June 10 1965 (sources disagree), and on the album "Out of our Heads" on July 30th of 1965 (it was the number number one single from July 10th through August 7th).

Just to show how things have changed in the recording business, the song was only written on May 6th and 7th, and recorded and mixed between the 10th and 12th; the lead single of one of FIVE albums they released that year (and which became their first platinum release).

Anyway, as far as the attention to detail the shows writers pay, the day the show opens was four or five days before the birthday of "baby Gene", which is supposed to be Jun 21st.

When you think about it, "Satisfaction" is the perfect song for that moment. Don literally cannot get satisfaction from his life; meanwhile "Satisfaction" is nearly the perfect song to represent the kind of changes that were taking place in American culture in 1965, and in the "culture of men" that Don was a part of.

It's kind of a good watershed moment for the world of the WW2 and Korean war vets; changing to the world of the next generation, those who would become the viet nam generation.

It's often said "the 60s" as people think of it, started the day Kennedy was shot... and there's some truth to that; but I think maybe the summer of '65 is a better milepost for that.

Thursday, July 29, 2010

Well, that, and food and science shows...

Ok, he's exaggerating a BIT, but really...He kinda has a point....

Nearly all the fiction programming we watch is crime or crime related at this point... at least for the summer anyway.

Hell, four years ago we barely watched TV at all... Then we got a DVR and we started actually liking TV again. We watch whatever we want, whenever we want, without commercials now. I'm pretty sure without a DVR, we'd stop watching TV again.

...and yeah, most of what we watch fictionwise, is about crime in some way.

Actually, we pretty much watch a fairly limited subset of genre: crime, medical, sci-fi, fantasy, adventure/espionage, cooking, science, and history shows.

The only things we watch that don't fit into those categories are "Bullshit!" "Pawn Stars" and "Top Shot", all three "reality" shows that are kinda hard to classify. 

Espionage/action shows used to be big... now not so much, and most of them are more crime oriented too. We WILL be watching "human target" again when it comes back on, but that's really about crime too. Burn notice? Crime... espionage is a crime, and most of the time what they are dealing with is just plain crime. The new show "Covert Affairs" is pretty much the same. Theoretically it's about espionage, but so far it's mostly been about murder.

Even all the Sci-Fi and fantasy is pretty much crime/mystery sci-fi... Though I suppose "true blood" is more about kinky sex than mystery; all of the major plots involve murder, kidnapping, and drug dealing.

We like other kinds of SciFi and Fantasy, but right now, that's pretty much all that's being offered.

There aren't any military shows left on the air at the moment. We used to watch a bunch of those (JAG, The Unit etc...), but there aren't any really on right now.


There were some decent modern westerns in the past ten years, but none right now.... and even then a lot of them were about crime or law enforcement or somehow otherwise crime related.

Same thing for legal shows. The once mighty genre (at one point taking up more than 50% of  one hour prime time shows) has been brought low so to speak... and even then most of them were also about crime, or crime related.

I SO miss the genre blending or genre defying shows like Firefly, and "Briscoe County Junior". SciFi western crime adventure comedies with dramatic moments...

We only watch two sitcoms... in fact the only 30 minute fiction series we watch at all, are "Hung" (a show about prostitution. Crime related); and "30 Rock" and "big bang theory", which are both on summer hiatus.

Oh wait... "Royal Pains" isn't about crime... usually (unless you count Evans shirts). Same thing for House. Both are mystery shows, but they're medical mystery shows so they don't really count.

And Mad Men started back up last week, so that's not about crime either...

Glee isn't about crime, but it's on hiatus as well

We WERE watching "Miami Medical", but they only produced 11 shows, and it hasn't been renewed. Same thing for "The Deep End", a legal show. Both are potential pickups for next year, but neither did particularly well on ratings so they aren't likely. So no legal shows and only two medical shows right now.

We used to watch CSI, and CSI Miami, but they just got too awful to keep watching.

Crime really has taken over the networks schedules.

As of right now, here's what our DVR list looks like (in order, but that order changes around based on season. In the summer we move the summer season shows to the top. When the fall season starts up we move those shows back up to the top):
1. True Blood
2. Mad Men
3. Rizzoli & Isles (new show for the summer)
4. The Glades (new show for the summer)
5. Memphis Beat (new show for the summer)
6. Scoundrels (new show for the summer)
7. Covert Affairs (new show for the summer)
8. Hung (summer season)
9. Leverage (summer season)
10. The Gates (new show for the summer)
11. The Good Guys (new show for the summer)
12. Lie to Me (summer season)
13. The Next Food Network Star
14. Burn Notice (summer season)
15. Royal Pains (summer season)
16. White Collar (summer season)
17. Haven (new show for the summer)
18. Glee
19. Chuck
20. Bones
21, Castle
22. NCIS
23. The Big Bang Theory
24. 30 Rock
25. House
26. In Plain Sight
27. Chopped
28. Diners, Drive-Ins and Dives
29. Mythbusters
30. The Best Thing I Ever Ate
31. Dinner: Impossible
32. Human Target
33. The Mentalist
34. Criminal Minds
35. Pawn Stars
36. Law & Order: Criminal Intent
37. Good Eats
38. Throwdown With Bobby Flay
39. Penn & Teller: Bullshit!
40. Man v. Food
41. Anthony Bourdain: No Reservations
42. Top Shot
43. Dexter


Oh and NO, that doesn't mean we watch 40-50 hours of TV a week. More like 25 or so. Half of these shows are summer only or split season, and half are currently on hiatus for the summer.

We usually sit and read, or play on our computers, in front of the TV from around 7 or 8pm, 'til around 11pm most nights. We don't go out much at night since we've got young kids.

We're also multitasking that whole four hours. It's when I do most of my reading, and most of my writing for example. Also when I mess around with my hobbies the most (last night I built a model airplane). The TV is really on as background noise most of the time.

Also, a lot of the time, we're watching DVDs of movies, or of foreign TV series, or older TV shows etc... Right now for example, we're about a third of the way through re-watching the entirety of Joss Whedons creative output (which we have, in its entirety, on DVD), in order.

Some of these we're just trying out, to see if we like them. The networks have really jumped on the split season/summer season thing the last two years so we don't really have the classic "summer re-run" season anymore. dvr's pretty much killed that.

Also, not on this list are Eureka,  Breaking Bad, and Fringe, which I watch on DVD after each season is over... and all three are about crime or law enforcement. I'm anxiously awaiting the U.S. DVD release of the UK show "Ashes to Ashes", which is the followon show to "Life on Mars" (the UK version is some of the best TV ever produced. The U.S. remake... wasn't). I watched the entirety of the UK series "Kingdom" recently; sadly it's been cancelled.

I also watch a bunch of shows and movies on Hulu, and on Netflix streaming. Usually old canceled TV shows, and foreign shows. I'm a big fan of British comedies and mystery shows.

Some of these things, Mel doesn't watch, just me. I sit up and watch them when I can't sleep; which being an insomniac is frequently. The combination of a TV show on DVD and a book tend to occupy my mind enough with relatively passive reception (rather than active participation and analysis as when I'm writing or on internet forums and blogs etc...), that after an hour or two I can sleep.

Listening to a fiction audiobook while I read a non-fiction book, or vice verse works well for me too. I can't listen to a fiction and read a fiction, or the other way round, because my head won't stay immersed in either, and I end up concentrating on one or the other.

Just plain reading, or listening, to one source at a time also works; but not as well for putting me to sleep. Something about having to process two completely independent sources of input prevents me from getting too deep into either and just reading it to the end (which is what will frequently happen with just one).

Anyway, of 30 scripted fictional shows we record, and another two we watch on DVD... there are only six that aren't crime related: we've got Glee, Mad Men, House, Royal Pains, 30 Rock, and Big Bang Theory. Of the six,

It's not that we disklike other genres, it's just of the good TV out there, that's what they are offering.